What is Kathak?The expression ‘Kathak’ has its origin in the word ‘Katha’, which literally means a story. Story-tellers or the recounters are the people, who narrate various tales from fables, mythology and epics and have the base of their story-narration on legends from Hindu Puranas. It has its foundation in an oral narration.

1. Kathak Dance Songs List

To make this narration more effective, there is a possibility that characters and Mudras (particular gestures of hands and / or face) might have been an addition of the later period. In this way, a narrative dance from came into existence, which also makes us aware about the development of the dance form of the current ‘Kathak’.Vaishnavism that was dominant in the 15 th century in the northern India has principally contributed in the new introduction of worship through rhythm and music. It became more popular with the themes of Radha-Krishna, Meerabai-Krishana by Soordas, Nanddas and Krishnadas.

The derivation of Raas Leela in Brij Bhoomi (In Mathura in western Uttar Pradesh) was a key feature of this growth. It was an implementation of music and dance in itself. In Raas Leela, the dance was an expansion of the role of the character, which is a fine blend of current day traditional dance form. History of KathakIn the advent of Mughal era, this dance form has had an inspiration in royal courts. It made the travel of the dance from the temples to the royal palaces, which itself was a transformation that caused an unavoidable turn in its presentation.

Kathak Dance Songs List

In both Hindu and Muslim royal courts, the dance form of ‘Kathak’ had received a great praise. It thus developed as a superior unification of entertainment. In Muslim royal courts, ‘Kathak’ had had a special importance, owing to its sentimental and powerful beauty.Read More:In the 19 th century, under the shelter of the last Nawab of Avadh Wajid Ali Shah, the dance form of ‘Kathak’ had enjoyed its climax popularity. It had established Lucknow through effective expressions and Swar.

Jaipur Gharana is famous for its Laykari and Benaras Gharana is other famous school for the dance form of ‘Kathak’. Which body parts use in KathakIn ‘Kathak’, there is an exclusive style of dance. The balance of the dancer’s body is divided according to the horizontal and vertical lines of the dancing arena. It also emphasizes the complete touch of the dancer’s feet to the dancing arena, with the maximum use of heel and toe fingers.

In this dance form, neither the lower nor the upper bending parts of the body are used in dancing.Pure form of dance has a special place in ‘Kathak’, wherein the dancer skillfully controls the movement of musical bells wore on his / her ankles. In ‘Kathak’, Taal has various titles, e.g. Tukda, Toda and Paran. With the help of Taal on musical instruments, the dancer makes his / her moves. The dancer initiates dance with, where neck and wrists are moved steadily. While performing ‘Kathak’, the dancer displays Krishna’s tales through, Bhajan and Dadra.Today, ‘Kathak’ has attained the place of a chief dance form. This is the only Indian dance form that had its relation with Muslim culture.Is this article useful?

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Choreography: Ensemble of Kathak dancers(: कथक), one of the eight forms of, originated from India, traces its origins to the of ancient northern India, known as Kathakars or storytellers. Its form today contains traces of temple and ritual dances, and the influence of the.

From the 16th century onwards it absorbed certain features of and central Asian dance which were imported by the royal courts of the.Quotes. It Kathak is a different art form, where there is more of abhinaya. In.

Retrieved on 17 January 2014. One of the eight forms of India's classical dances, Kathak, meaning “story teller,” originated in northern India, and there are references to this dance form in sources dating from the third and fourth centuries B.C.

Kathak dance, today characterized by fast, rhythmic footwork, became sophisticated court entertainment with the advent of Mogul culture in northern India. Aydin Albayrak in. Today’s Zaman ( 9 September 2012). Retrieved on 17 January 2014. was the root for both and Kathak, and both are of the same period. Kathak, which flourished in the, was in the direct eye of the typhoon of invasions. Lavina Melwani in.

Hinduism Today. Retrieved on 17 January 2014. The dance form also underwent a mute period for 2 or 3 centuries. When it was revived by the Moghul emperors it became a secular kind of dance. But there are several actions which still have a strong touch. in 'Maya Rao: Grand Dame of Kathak'. First of all, classical shouldn't be called a dance.

We present various expressions on abstract music, which has no meaning and no name. Interestingly, the sound and the expression depict the feeling of love or anger and hence the entire katha can be presented it means a kind of wind is blowing and through hands, water and other five elements of earth are explained. in 'Kathak maestro Birju Maharaj's moves leave Jains enchanted'. 19 March 2012.

With those elegant footwork and gravity-defying turns Kathak opens a fantastical world before a dabbler, who is sure to fall deeply in love with its mesmerising ways. By Chencho Sherin Thomas in. New Indian express.

4 December 2013. Retrieved on 17 January 2014. Kathak has three gharanas or genres named after three culturally-rich places, Lucknow, and.

By Chencho Sherin Thomas in 'Kathak has a Flexible Language.' . Kathak has a very flexible language when compared to other classical dance forms.

Due to its similarities with Spanish Flamenco dance, there are many who believe that has been originated in India. Kathak the term was derived from ‘kathakar’ (story teller) who used to narrate vignettes from and at Hindu temples. Later on, Kathak moved to courts because of. Girls from (courtesans) were brought in and they performed Kathak before the.

By Shila Mehta quoted in 'Kathak has a Flexible Language.' . One of the most emphatic dance forms that the City of has given - the of Kathak, which came into existence mainly in the court of, the ruler of in 19th Century. Kathak, its exponents say, was so powerful that no other dance form posed a challenge to it for a long period. Nidhi Purohit in.

Times of India ( 19 October 2013). Retrieved on 16 January 2014. Dance styles depend on the sociological background of the people who first started practising them. Take Kathak, for example. It was with the Muslim invasion that Hindustani classical music received prominence. They brought with them the, who, along with the existing kathakas or storytellers, gave Kathak its flavour.

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And then, Kathak went into the darbari mode. Post that, elements of started being incorporated into Kathak, which is now, a versatile product of these influences. in. Times of India.